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| MENDELSSOHN ELIJAH | ||
| Pittsburgh Symphony | ||
| "Carolann Page was outstanding as the widow. Her voice was warm as well as pure, and conveyed sincerity to the audience." | ||
| – PITTSBURGH POST-GAZETTE | ||
| Charlotte Symphony | ||
| "Highlights include: The intense soprano of Carolann Page - her performance of 'Hear ye, Israel'...brought the house down." | ||
| <#8211; CHARLOTTE OBSERVER | ||
| Chattanooga Symphony Orchestra | ||
| "...wonderful dramatic presentation with the finest quality of voice." | ||
| – CHATTANOOGA TIMES | ||
| HAYDN THE CREATION | ||
| Grand Rapids Symphony | ||
| "...a singer with mature color and considerable agility, gave a florid display with the air, 'On mighty pens uplifted soar'." | ||
| – GRAND RAPIDS PRESS | ||
| POULENC GLORIA / DEBUSSY SALUT PRINTEMPS | ||
| Honolulu Symphony | ||
| "...the accomplished soprano sang with polish and proficiency. Her weighty, dramatic voice easily made itself heard over the chorus and orchestra." | ||
| – HONOLULU STAR-BULLETIN | ||
| GORECKI SYMPHONY NO. 3 | ||
| Flint Symphony | ||
| "...her poignant singing of the Polish prayer text conveyed an aura of sadness." | ||
| – FLINT JOURNAL | ||
| BEETHOVEN SYMPHONY NO. 9 | ||
| Louisiana Philharmonic | ||
| "The exposure (in the 'Ode to Joy') is sufficient enough to reveal the superiority of the guest, soprano Carolann Page." | ||
| – TIMES-PICAYUNE | ||
| HANDEL MESSIAH | ||
| Virginia Symphony | ||
| "When Carolann Page sang 'I know that my redeemer liveth," it was impossible not to believe her. Her voice was sweet and true, with an endearing touch of fragility. Her diction was exemplary and her manner sincere. She strove for clarity in every note of her melismatic passages." | ||
| – VIRGINIA-PILOT and THE LEDGER STAR | ||
| with the DA CAMERA SOCIETY | ||
| Songs of Schumann & Heine | ||
| "Her ripe tone, smooth legato and eloquent phrasing...showcased her luscious middle register." | ||
| – HOUSTON POST | ||
| Songs of Charles Ives | ||
| "...gemlike performance...excellent interpretations. She carefully enunciated the texts...sketched their moods well and sang with appropriate style and tone." | ||
| – HOUSTON CHRONICLE | ||